On 11 November 2016, Mary Moreland and I launched the Heritage Lottery Funded project War Widows’ Stories live on Woman’s Hour. We were given eight star-struck minutes with BBC Radio 4’s Jenni Murray, and you can listen to the result below via BBC iPlayer. It’s needless to say I was so excited about being able to do this. It meant our project was given national coverage on Armistice Day, a time when the nation is focused on remembrance of the dead, but often forgets about our duty to take care of those who survive conflict, including veterans and...
I’m really pleased to say that I’ve been awarded my first external grant since my PhD. It’s not exactly news anymore by now, but last semester was so busy that I just couldn’t find the time to record things as they were happening. I’ve spent a lot of time over the past few years thinking about two things in particular: how can I start working with people to whom my research on widowhood really matters; and what is my research and career strategy for the next few years. I regularly advise doctoral students and fellow early-career researchers that,...
[Publication] Feminism’s Family Drama: Female Genealogies, Feminist Historiography, & Kate Walbert’s A Short History of Women
I’m really pleased that my article about feminist history and mother-daughter relationships is out now in Feminist Theory and available to read for free as an “online first” publication. Below you can find the full reference for the print version of this piece, and the page on which you can access the full-text article.
Get the popcorn, and dim the lights … Ok, maybe not. But if you had 5 minutes to watch my BBC Arts film on deviant Victorian widows (and why they could be so dangerous!), I’d be very honoured and humbled. I had great fun making it, and am much more pleased with the result than I thought I would be, though that’s not difficult given I had envisioned a talking zombie walking through the V&A. Disclaimer: no one other than me is to blame for content, hair, and make-up. A big thanks goes to Chris – producer, cameraman, editor, and all...
I knew from the very early stages of my research that, for the Victorians, widows had a lot of tragic as well as comic potential. I don’t think, though, I was prepared to find quite so many widow-related jokes in the pages of periodicals, magazines, and newspapers. As their number increases by the day the more I browse and search, it only seems right to collate them here. So, ladies and gents, be prepared to cry with laughter, chuckle to your heart’s content, or shake your head in disbelief at these pitiful puns and witty lines on which you’re about to feast your eyes at your own peril.
It’s official: I’ve been lucky enough to have been selected as one of this year’s New Generation Thinkers by BBC Radio 3 and the Arts and Humanities Research Council. And of course this wouldn’t be my blog if I didn’t share a few lines on the process that led to last week’s melodramatically long-embargoed announcement and to my first ever appearance on national radio. After completing the short online application in December 2014, I was notified in February this year that I was one of the sixty applicants who had been shortlisted and invited to a training and...
This is the Prezi for a paper I gave at the Northeast Modern Language Association (NeMLA) convention in Toronto in May 2015. It’s the beginnings of an article on the same topic that I hope to finish and submit for peer review this summer.
While researching the introduction to my book on the widow in British literature and culture, I stumbled across a tune from the First World War which illustrates perfectly some of the attributes which have rendered the figure of the widowed woman a popular and loaded one here in Britain, not only since the Victorian period (which is where my book begins) but also from as early as Shakespeare’s times. Luckily for me, someone was generous enough with their time and enthusiasm to upload a YouTube video of his playing the original record, and below you can find my transcription...
The breadth and depth of scholarship on Victorian men and masculinities leaves much to be explored. This special issue is the result of a call for essays which aimed to bring together the work of scholars who seek to contribute to the filling this gap. The essays we have selected for this volume share a central concern for the exploration of the Victorian male body not only as a signifier of a variety of gendered identities, anxieties, and norms but also as a physical canvas on which we can trace masculinity’s inherent and complex intersections with a variety...
Read the introduction to our special issue of Nineteenth-Century Context.
At a time when we remember the First World War, its victims, and its survivors, it seems apt for me to share some of the research I’ve been doing on the literary and cultural history of the widow in Britain, and particularly on how the state’s support and the economic conditions of widowed women has changed in the nineteenth and twentieth centuries and reflects both Britain’s development in terms of gender equality as well as the emergence of the welfare state.
This is a review of Postfeminism & Contemporary Hollywood Cinema (2012), a collection of essays I edited with Dr Joel Gwynne.
[PhD Supervision] Chloé Holland, “Ellen Wood: The Professional Woman Writer & the Victorian Literary Marketplace”
Chloé’s work focuses on the work of Ellen Wood (or Mrs Henry Wood). In particular, she investigates the interconnections between Wood’s identities as a professional author, a woman writer, and a producer of highly popular works on the Victorian literary market place.
Research Seminar, 5 March 2014, Department of English, Durham University
In the post-war decades, Britain prided itself on the new welfare state and the support it afforded children and mothers. But what about those women who had lost their husbands in the war? This post looks at the picture painted by two sources from the 1960s: a broadcast on child welfare by the Central Office of Information (1962) and a BBC Home Service radio broadcast called “World of the Widow” (1960).
This second post on widows in Victorian comic songs considers a piece which renders its widow financially, medically, socially, and sexually undesirable.
The first in a series of posts on deviant widows in popular comic songs from the 1840s, 50s and 60s.