Listen to the Voices of War’s Forgotten Women

War Widows’ Stories captures the lives of war’s forgotten women past and present through oral history, participatory arts, public events, and archival research. The British public commonly imagine war widows to be elderly women who lost their husbands as a result of active combat in the Second World War, surrounded and supported by family, friends, the armed forces, and the state. While this applies to some women, it by no means describes the majority of Britain’s 18,950 war widows.

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War Widows’ Stories Launches Live on Woman’s Hour

On 11 November 2016, Mary Moreland and I launched the Heritage Lottery Funded project War Widows’ Stories live on Woman’s Hour. We were given eight star-struck minutes with BBC Radio 4’s Jenni Murray, and you can listen to the result below via BBC iPlayer. It’s needless to say I was so excited about being able […]

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[Funding] Heritage Lottery Funds War Widows’ Stories

I’m really pleased to say that I’ve been awarded my first external grant since my PhD. It’s not exactly news anymore by now, but last semester was so busy that I just couldn’t find the time to record things as they were happening. I’ve spent a lot of time over the past few years thinking […]

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[Commentary] For the Sake of the Children: Widows & Welfare in the 1960s

In the post-war decades, Britain prided itself on the new welfare state and the support it afforded children and mothers. But what about those women who had lost their husbands in the war? This post looks at the picture painted by two sources from the 1960s: a broadcast on child welfare by the Central Office of Information (1962) and a BBC Home Service radio broadcast called “World of the Widow” (1960).

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[Publication] Dead Husbands & Deviant Women

Over the past decade, the detective widow has become a well-established character in the little-explored subgenre of neo–Victorian crime fiction. In Tasha Alexander’s Lady Emily series, the author argues, the detective widow investigates the gendered characteristics and complexities of Victorian widowhood while detecting the artistic crimes associated with historical fiction’s imitations and adaptations of the past.

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