I’m really pleased to say that I’ve been awarded my first external grant since my PhD. It’s not exactly news anymore by now, but last semester was so busy that I just couldn’t find the time to record things as they were happening. I’ve spent a lot of time over the past few years thinking about two things in particular: how can I start working with people to whom my research on widowhood really matters; and what is my research and career strategy for the next few years. I regularly advise doctoral students and fellow early-career researchers that,...
At a time when we remember the First World War, its victims, and its survivors, it seems apt for me to share some of the research I’ve been doing on the literary and cultural history of the widow in Britain, and particularly on how the state’s support and the economic conditions of widowed women has changed in the nineteenth and twentieth centuries and reflects both Britain’s development in terms of gender equality as well as the emergence of the welfare state.
Research Seminar, 5 March 2014, Department of English, Durham University
Women and Belief is a six-volume collection of primary materials covering a wide range of opinions about women, their self-identity, and the combination of their spiritual and political beliefs.
Joel Gwynne and Nadine Muller (eds.), Postfeminism and Hollywood Cinema (Palgrave Macmillan, 2013)
This article investigates the possible reasons for and significance of British twenty-first century fiction’s return to periods in which the field of mental health came into being and developed into a splintered discipline, contested by neurologists, alienists, pathologists, psychiatrists and psychoanalysts. Through an analysis of Sebastian Faulks’ Human Traces (2005), Michel Faber’s The Crimson Petal and the White (2002) and Maggie O’Farrell’s The Vanishing Act of Esme Lennox (2006), this article aims to situate twenty-first century fiction within an interdisciplinary critical framework of questions: if, as Freud feared in his Studies on Hysteria (1895), psychoanalytic case histories can “read like short stories” (231), can novels in turn read like case histories of the societies and cultures of which they are products? If texts such as Charlotte Brontë’s Jane Eyre (1848), Wilkie Collins’ The Woman in White (1860), or Mary Elizabeth Braddon’s Lady Audley’s Secret (1862) were able to “put the many concerns Victorians had about insanity into dramatic perspective” (Appignanesi 87), then do their twenty-first century counterparts perform the same role with regards to issues surrounding women as practitioners and patients within the field of mental health in Britain at the turn of the new millennium?
8-9 September 2011, University of Hull
11-12 September 2009, University of Oxford