Over the past decade, the detective widow has become a well-established character in the little-explored subgenre of neo–Victorian crime fiction. In Tasha Alexander’s Lady Emily series, the author argues, the detective widow investigates the gendered characteristics and complexities of Victorian widowhood while detecting the artistic crimes associated with historical fiction’s imitations and adaptations of the past.
Read More »Seminar, 02/04/2013 “BSA Pre-Conference Day”, BSA Postgraduate Forum, London
Read More »Joel Gwynne and Nadine Muller (eds.), Postfeminism and Hollywood Cinema (Palgrave Macmillan, 2013)
Read More »An interview with Dr Nathan Ryder about my research, my viva, and life after the Ph.D.
Read More »By Elizabeth Gibney, Times Higher Education (24 May 2012), pp.22-23
Read More »This is an account of my first (and so far only) academic job interview, including how I prepared, and the questions I was asked.
Read More »From Mary Wollstonecraft’s call for chastity as a universal rather than a female virtue in A vindication of the rights of woman (1792), through nineteenth and early-twentieth century writings on the commodification of women in marriage and prostitution and campaigns for rational dress, to fights for women’s reproductive rights and sexual liberation in the 1960s and 1970s, the female body and female sexuality as sites of oppression and empowerment have long occupied a central place of concern in feminist theory and practice. In the new millennium, as in previous decades, this interest continues to engender productively diverse and conflicting, as well as often conflicted, responses by feminist scholars across disciplines whose work reflects upon and attempts to conceptualise women’s sexual bodies within the cultural and political landscapes of the twenty-first century.
Read More »8-9 September 2011, University of Hull
Read More »5-7 July 2011, Brunel University
Read More »2 October 2010, The Women’s Library, London
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